| VICKY LARRAIN CHILEAN ARTIST | |||||||||||||||||||||||||||||||||||||||||||||
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CHOREOGRAPHER AND DIRECTOR
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| WALKING THROUGH ART EXPRESSION The long way that this artist has walked, is full of energy and true In Chile she makes studies at the Chilean University school of theater, but the extreme formal method, takes her to look into the periferic way of teaching. She finds Carmen Beuchat, that shows her the possibility of performing, finding her own expression. In Paris She experience the performance, and gives importance to improvisation,while she studies Graham Techniques and Modern Jazz Is not until when she found Alwin nikolais ScHool, that she gets a method from the abstrac proposal, and is not until then, that she finds the way of composing a poetic structure. In 1972-1973, she performs in Chile her original work and is since then that she wins a space for her work. center> After the military coup, she goes back to New York, and experiment with a kind of surrealistic wau of performing In 1974 obtains the distintion for Young Choreographers, and creates her first choreography In Dance magazine, Don Mac Donagh will talk about her work as 1975- 1980 In Rio de Janeiro, Larrain creates the EXPERIMENTAL DANCE_THEATER GROUP, and is with them, that Getting the creativity Prize for the year 1975 In 1978 wins the CETA GRANT in New York City. 1980: Invited for French Government travels to Paris and the to Zurich.After a year of looking around, creates the piece The criticism is elocuent: Larrain show us the world of the broken glass.She satirized the formal life, the bis way of living.
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IN MEMORIAM ASTOR PIAZZOLLA MUSIC.
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| With a baggage full of experience, she works at Centro Cultural Mapocho Cultural Center.Forming the Dance-Theater Area and creating the Company she works with until now Her surrounding is violence, sadness and caos. Stills, she creates several pieces, that reflects the way of social moment in Chile The secenario is full of suitcases, train sounds and tangos. The dancers dress up in black and red,goes trough the stage with nostalgy. Is the Exile sensation. In 1985 IN MEMORIAM IS AN HOMMAGE FOR THREE PEOPLE THAT HAS BEEN MURDER UNDER THE SUN RISE due to politics causes. This affects Larrains,in a very strong way, and from there In Memoriam. The text appears in her work and won"t stop.
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email:[email protected]
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CUBAN EXPERIENCE 1987 | Imagination,vitality, strengh are the principal characteristiques of cuban dancers,sais Larrain. working with DANZA NACIONAL DE CUBA for almost six month, she creates CALAMBRE O EL AVE FENIX Meets Rosario C�rdenas a very talented cuban choreographer and Miguel Iglesias the Company Director, who will help her to understand cuban way of survyving. What a great dancer was Diana Alfonso,like some girl emerging from a mythe she will lift like a bird,that belongs to a Garcia Marquez story. She did perform until the end, until, she felt under fatality. Diana Alfonso show Larrain the courage, the love for dancing. And, how to forget Sergio Vitier musique, drums and violins mixing sensuality. That was magic realism, and the chilean artist, did learn from it. In this period, Larrain, creates and some of his work,reflects her style, her proposal. JAULA UNO AVE DOS She founds for a contemporary latin choreographic point of view, to discover.
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